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I envision this timing most likely developed throughout the Palladium age but I have not verified that. Eddie Torres began instructing and popularizing this timing start in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing instructor, who aided him establish his technique and timing.


The tale I'm regularly told below, that still requires more examination, is that as salsa began getting to brand-new target markets beyond the Caribbean and New York City, it was simpler and more instinctive to educate cultural outsiders to dance On1 instead of On2. However, this tale doesn't make up the truth that I've heard Rueda de Gambling enterprise was originally danced a tiempo On3 in Cuba.


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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most usual timing you'll locate worldwide today. Salsa On1 timing interpretation: "On1" suggests you begin dancing on the initial beat of bench of songs the 1. Your break actions (instructions modifications) are on beats 1 and 5.


The exceptions I've located so much, where On2 is most common, would certainly be around New york city and in South Korea (Bachata San Francisco). I'm sure there are various other locations that dance generally On2 however I haven't danced in every country! If you're not exactly sure what timing is most usual where you live, ask your neighborhood dancing studio


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When a person states "I dance salsa On1" they most likely mean "I dance linear design salsa On1" (although you can dance any type of style of salsa On1, people usually suggest direct design). Don't stress if you've claimed these things in the past, it's all great most of us have! The vital thing is to keep in mind there's a difference in between style and timing and strengthen your understanding so you can be extra precise when talking regarding salsa with your pals.


It connects well with the phrasing in the songs, specifically the piano, and various other percussion tools like the cow bell and giro. Timing and style are 2 various things, so different the concepts when you speak about salsa with your buddies. No matter of what timing is most usual in your region of the world, remember you can technically dance any kind of design of salsa to any timing check out and delight in! Want extra? Take a go to this website look at this deep dive on the difference between dancing salsa On1 vs On2 when dancing a tiempo.


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There is an initial mambo dance that came from Cuba and then spread out to Mexico and New York in the 40s and 50s, these days when a person claims "I dance mambo" they indicate salsa On2, which is different than the original mambo dancing. The sporadic free-from steps of the initial mambo were danced solo.




As the dance began to spread out, On1 timing started to come to be prominent. Salsa On2 interpretation: "On2" implies you start dancing on the initial beat of the bar of music the 2.


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A great deal of dancers appreciate dancing On2 for the diverse methods you can attach to the songs. Child cubano is the music and dance that came before mambo and salsa.


It connects well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is just like dancing On2 contratiempo but you include the three-way action on 4 and 8. Although danced to the same beats as On1, your break steps are now on 2 and 6, which alters the feel of the dance.


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This timing is nearly similar to contratiempo On2 however the steps that are typically on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.


5 instead of 5) you're dancing this syncopated timing. In reality it appears it's commonly danced as kind of a "error" for anybody dancing the previous two timings.


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As mentioned previously, this was the very first interpretation of dance on clave (child clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as numerous actions of your fundamental as possible with the strikes of the kid clave.


Normally, people have actually found a method to dance on practically every timing feasible to son and salsa songs. People dance On3 for the exact same factor you dance On1 because it stresses the strong beats of 1-3-5-7.


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Let's consider the beats you dance On1 to: -2-, -6- (strong beats are in strong) Allow's consider the beats you dance On3 to: -4-, -8- (strong beats are in strong) Notice how the strong beats are spaced precisely the very same for On1 and On3? All you do is beginning stepping On3 rather than On1.


That's why dancing On3 is so typical in Latin America. People either Try to dance On1 however begin stepping On3 by mishap and it exercises simply penalty, or They do not recognize much concerning timing and are simply analyzing what they hear in the music, based upon their experience maturing in a culture with salsa.

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